THE LATHE

1940′s Scully lathe controlled by a Vinylium Pitch98 groove spacing computer.
Westrex 1700′s solid state cutting amplifier driving a Westrex 3D Cutterhead.

AUDIO PROCESSING

Equalization: 

– Maselec MEA-2
– Api-550M
– Weiss EQ-1 24/96
– Manley Massive Passive Mastering

Peak & High Frequency Limiting: 

– Maselec MPL-2
– Waves L2 Hardware

Conversion: 

– MYTEK & LYNX
– Record Cutting Delay – Daniel Weiss 102 Series

Metering:

– DK Audio MSD-600
– VU meters & Phase-Scope: B&B Systems

Monitoring:

– Cranesong Avocet
– Cusom John Hardy 990′s dicrete op-amp transfer-console.
– Dunlavy SC-I’s Speaker Monitors.